All Eyes On Rafah
All Eyes On Rafah AI Art
Imagine this: Two Malaysians, separated by 900 miles, are both claiming credit for the most viral AI-generated photo ever—a synthetic image of Gaza. This story highlights the complexities of authorship and ownership in our online world, increasingly flooded with AI-created content.
The story behind the “all eyes on Rafah” graphic, which has been shared about 50 million times on Instagram and other platforms, likely begins on the northern tip of the Southeast Asian island of Borneo.
Back in February, Zila Abka was at her home playing around with Microsoft’s AI tool, Image Creator.
Abka, a 39-year-old science teacher and AI art hobbyist, is also a pro-Palestinian activist. She wanted to create a piece of political art depicting those sheltering in camps in the Gazan city of Rafah.
Zila Abka is a school teacher in Malaysia. She is active in the Facebook group Prompters Malaya, a gathering place for mostly Malaysian AI artists to show their work.
Zila Abka is a school teacher in Malaysia. She is active in the Facebook group Prompters Malaya, a gathering place for mostly Malaysian AI artists to show their work.
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After the phrase “all eyes on Rafah” started going viral, Abka wrote a prompt for the AI tool to create an image with the phrase spelled out by white tents amid dense rows of other tent encampments. The words had become a rallying cry after a World Health Organization representative used them to draw attention to the situation where hundreds of thousands of displaced people had fled.
When Microsoft’s Image Creator spit out a graphic, Abka added two watermarks: one indicating it was generated by AI and another identifying her as the creator.
She liked it. So, she shared a post on Feb. 14 in her language—Malay—to the Facebook group Prompters Malaya, a gathering place of about 250,000 mostly Malaysians who share AI-generated art, sometimes about the war in Gaza.
“I wanted to spread and highlight the issue and hoped that everybody would do whatever they could to show solidarity with Gazans right now,” Abka told NPR.
Abka has not previously spoken out about making the image.
Amirul Shah is a college student and photographer in Malaysia. The “all eyes on Rafah” image he created has been shared nearly 50 million times on Instagram.
From there, she basically forgot about it—until last week, when she saw a very similar image on Instagram, spreading rapidly following an Israeli strike in the city that killed dozens and prompted worldwide condemnation.
But the image was altered. Her watermarks were gone, and the image was expanded to include snow-capped mountains looming over the tents—an almost surrealist touch, an AI riff on Gaza’s Middle Eastern landscape.
At first, she was offended that someone had laundered her image and removed her name from it. She was also alarmed that the “AI generated” disclaimer was missing as tens of millions of people were re-sharing it across the internet.
She zoomed in to examine every letter and corner of the viral image. She concluded that it had to be hers.
“Everything about the structure of the words and the arrangement of the ‘tents,’ it’s all the same, except for the expanded part,” she said. “When I saw it, I thought, yeah, I think this is mine.”
But her annoyance over not getting credit soon dissipated.
“I don’t think any generated AI image is fully someone’s belonging,” Abka said.
Indeed, the U.S. Copyright Office has repeatedly rejected copyright protection for AI-generated images since they lack human authorship, placing the AI images in a legal gray area.
It was, however, Abka’s unique prompt that summoned the image. She said that should be worth something, though galvanizing support for Gaza was always her main goal.
“If the aim is to spread awareness,” Abka said about the version of the image that went viral, “then I think I should thank that person.”
That person is Amirul Shah, known as Shahv4012 on Instagram. He is also Malaysian.
The two do not know each other, nor have they ever communicated.
Abka believes he took her image, edited it, and created an Instagram “template,” which has since surged on social media, amassing nearly 50 million shares on Instagram and millions more on other platforms.
Abka thinks Shah cropped her image right above her watermarks, then edited it with a tool that uses AI to expand and re-imagine the background of a photo. She believes this because she tried it herself on her own AI rendering and got results strikingly similar to the viral image.
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Shah’s image has his own watermark with the tag of his Instagram account, @chaa.my_, giving the impression that the whole thing was his original creation.
Shah, a 21-year-old college student in Kuala Lumpur, Malaysia’s capital, has not previously spoken out about his process.
A photography enthusiast, Shah says he was toying around with an AI image generator recently. He thinks he used Microsoft’s Image Creator, the same service Abka used, but he claims he can’t remember.
When he added it to an Instagram "template," it ricocheted around the world, as influencers and celebrities like Dua Lipa and Bella Hadid amplified it to their millions of followers.
The image looks uncannily like Abka’s, but he claims he hadn't even seen Abka's before making his own.
Still, the size of the words, placement of each letter, and AI-generated clusters of tents next to the phrase are identical. But Shah’s version is portrayed from a higher aerial view, with deeper and longer shadows cast by snowy mountains.
He said he was giving all sorts of Gaza-related AI images a try as a form of activism, not aiming for virality.
“My intention was not for popularity,” Shah told NPR. “I wanted to uphold justice for all Palestinians who are there.”
Shah says AI images spread faster.
Technologists say that generating the same exact AI image twice is exceedingly unlikely.
In dozens of attempts to recreate the image using Microsoft’s Image Creator, NPR was not able to prompt the tool to create a visual that came close to the viral one. Most of the time, the tool struggled to correctly spell “All eyes on Rafah,” a limitation of many AI image generators, which tend to depict words misspelled or warped in some way.
Shah, who regularly shares posts on social media highlighting the plight of Palestinians, said he has noticed that real photos and videos of the war tend to have limited reach on Instagram.
“The picture from AI can spread faster in a short time,” he said. Shah says another problem is that he has had graphic images of war removed by Instagram for violating the platform’s policies. He’s aware that repeat violations can mean users can get blocked.
Felix Simon, a research fellow at the University of Oxford who studies AI’s impact on public discourse, said the image being created by artificial intelligence fueled its virality far less than other factors.
“The simplicity of the slogan, the symbolism at work, the timing and political context, and the fact that it was shared by celebrities,” said Simon, adding that “the lack of graphic content makes it less likely to get taken down, which helps, too.”
It is a concern that has been echoed by other activists who have claimed graphic imagery showing the atrocities of the war in Gaza can be removed from platforms or suppressed by social media algorithms.
Some commentators criticized the meme for portraying a sanitized version of war that renders human horrors on the ground in Gaza into an easily-shareable AI image.
Both Abka and Shah reject that idea, saying AI images can be a useful way to grab people’s attention and make them engage in some way with the war.
Yet there is no agreement between them about who created the viral image that has spurred discussion around the world about the authenticity of online activism and renewed attention on an internet increasingly rife with realistic-looking AI depictions.
